...Answer in a few days. CulVul
Tuesday, October 13, 2009
When art makes you giggle...
Friday, October 9, 2009
Where Science and Art Find Common Ground
Water on the Moon
By Richard Friswell
By Richard Friswell
*Art by Roxanne Farber Savage
Water is heavy. Anyone who has traipsed a 24-pack of bottled water from the driveway to the house knows just how heavy water can be. Water is essential to this planet and life-sustaining for those of us who live on it.

The recent indignity suffered by the moon at the hands of scientists attests to how important finding water on a distant planet or moon is to our chances of successfully traveling there and thriving once we arrive. Astronauts can recycle their waste water on the way but lugging a supply of H2O across the vast expanse of space to meet our needs for months or years is both costly and cumbersome (imagine the fuel costs and handling issues if you carried a 400-gallon drum of water in the trunk of your car!). An elementary problem like sustained hydration becomes a major concern for NASA scientists.

The recent indignity suffered by the moon at the hands of scientists attests to how important finding water on a distant planet or moon is to our chances of successfully traveling there and thriving once we arrive. Astronauts can recycle their waste water on the way but lugging a supply of H2O across the vast expanse of space to meet our needs for months or years is both costly and cumbersome (imagine the fuel costs and handling issues if you carried a 400-gallon drum of water in the trunk of your car!). An elementary problem like sustained hydration becomes a major concern for NASA scientists.
Our recent high-altitude bombardment of the south-polar reaches of the moon was our primitive attempt to answer the question: Is there water on the moon? The world waited and watched in breathless anticipation as this ‘non-event’ took place; but scientists insist that key questions about the moon’s inner core will be answered over the next few weeks. 
For those of us who are earth-bound and plan to continue to be so, what can the quest for water on the moon teach us about ourselves? As artists, we hope to communicate vital information through our work across the seemingly boundless void between ourselves and the ‘dark side of the moon’, called, public perception. And what constitutes sustenance for artists while they work? Sure, food, clothing and shelter—the wellspring of life as we know it on this planet. But, what else drives us to create as a means to those practical ends?
Our own personal version of a moon probe happens when we send our latest work on a trajectory out into the world. And, for the artist, analysis of the ‘six-mile high spray’ at point-of-impact takes t
he form of the response of critics, gallery owners, collectors and editors who stand by, binoculars and notes pads at the ready. Everyone watches and waits to see if there are life-giving elements in the work and whether a spur of interest can move the viewer to explore, in depth, the various complexities of the piece and their meaning. For a few lucky artists, pioneering colonies of believers may soon set up encampments over these small, life-emitting oases of earnest intentions, known as the 'artist's vision!'
For artists of any stripe, we harbor a shared belief in the universe of ideas. All things are possible in the world of the imagination. There is no out-there, out there. It is all in here. The studio version of a moon probe is wet paint poised on a brush before a blank canvas; a pencil hovering above a clean sheet of paper; or restless hands poised on the silent keyboard of a grand piano. Through our creative effort, we hope to find water, insuring that our journey can be sustained. We are hoping against hope to find signs of life.
'The Journey'
My tiny capsule

For those of us who are earth-bound and plan to continue to be so, what can the quest for water on the moon teach us about ourselves? As artists, we hope to communicate vital information through our work across the seemingly boundless void between ourselves and the ‘dark side of the moon’, called, public perception. And what constitutes sustenance for artists while they work? Sure, food, clothing and shelter—the wellspring of life as we know it on this planet. But, what else drives us to create as a means to those practical ends?
Our own personal version of a moon probe happens when we send our latest work on a trajectory out into the world. And, for the artist, analysis of the ‘six-mile high spray’ at point-of-impact takes t
he form of the response of critics, gallery owners, collectors and editors who stand by, binoculars and notes pads at the ready. Everyone watches and waits to see if there are life-giving elements in the work and whether a spur of interest can move the viewer to explore, in depth, the various complexities of the piece and their meaning. For a few lucky artists, pioneering colonies of believers may soon set up encampments over these small, life-emitting oases of earnest intentions, known as the 'artist's vision!'For artists of any stripe, we harbor a shared belief in the universe of ideas. All things are possible in the world of the imagination. There is no out-there, out there. It is all in here. The studio version of a moon probe is wet paint poised on a brush before a blank canvas; a pencil hovering above a clean sheet of paper; or restless hands poised on the silent keyboard of a grand piano. Through our creative effort, we hope to find water, insuring that our journey can be sustained. We are hoping against hope to find signs of life.
'The Journey'
My tiny capsule
tumbles end over end,
flung into darkness,
charting the empty void.
Skirting the edge
flung into darkness,
charting the empty void.
Skirting the edge
of pumice moon
held by pull of orbits,
to pass behind its sheltering face.
to pass behind its sheltering face.
Man-in-the-Moon stares
with indifference.
Curled like a fist,
wide-eyed,
shallow breathing
and pounding heart
give voice to the fragile life within.
Only the pulse of suns
Curled like a fist,
wide-eyed,
shallow breathing
and pounding heart
give voice to the fragile life within.
Only the pulse of suns
and velvet depths of universe
hold me
for God's own hand to safely deliver.
-rf
*Original art by Roxanne Farber Savage:
Lunae 6, mixed media, 2008
Plastic Moons 1, mixed media, 2008
Swimmer 3, Monotype, 2008
Read more observations on the art world at: http://www.artesmagazine.com/
Labels:
2007,
Lunae 6,
mixed media,
Roxanne Savage
Wednesday, October 7, 2009
OPINION POLL
The New Cyber Realm
by Richard Friswell
I have come to the realization that the world is not round as once believed; or flat as purported by Thomas Friedman in his recent book by the same name, describing the new seamless global economy.

The world is, in fact, concave!
It is shaped like a basin or bowl, similar to the one that might collect rainwater if left on the picnic table on a rainy day. What pools in this receptacle, gathering volume and power as the rain of information pours in, is the collective wisdom of much of humanity—and this receptacle is the Internet. The Internet is a mere 15 years old and already this egalitarian electronic tool is amassing information (most useful, some not) at a startling rate. It is said that, since its inception in 1795 the U.S. Copyright Office contains 10 Terabytes of information (10 trillion, trillion bits, or a 1 with 19 zeros after it!). The Internet, with all of its component parts is estimated to be growing at that rate per day. With entire libraries going virtual and vast warehouses of information standing by for digital conversion, the web promises to play an even more important role for amateurs and professionals, alike, who are discovering that they can track almost any slender thread of information imaginable to its source.
I discovered this for myself when I was recently asked to address a professional group on the merits and features of a second-generation Frank Lloyd Wright property that had recen
tly come on the market. I say second-generation because the principle architect for this 1983 property was John Howe, Wright’s protégé, who worked for years as his principle draftsman. Howe continued his own architectural practice and to embody the Wrightian spirit, if not elements of his style, for many years after Wright’s death in 1959. I toured the property with the current owner prior to framing out my comments and found a property that still possesses all the elements of balance, form and function that can best be described as, ‘sculptural’. The power of Wright’s design influence is in its apparent simplicity and close connection to nature---You can’t go wrong with Mother Nature as your guide!
My search for information took me to the Internet and ultimately to the University of Minnesota’s architectural archives, where I found a helpful archivist (Barbara Bezat) and the entire collected works of John Howe-- including photographs of the Connecticut property-- known as the Bowen residence. The collection included memos, photographs by the architect, renderings and blueprints…the works! In a data- swap gesture aimed at keeping their records current, I sent a couple dozen digital shots of the property today (which has undergone two expansions in a manner very true to the Wrightian spirit). My modest contribution to their database helped to expand their Howe files and they, in turn, provided me with information that would have been lost to the exigencies of time and ‘progress’, had it not been for the beauty of the Internet and its search capabilities. The seek-and-find capability of the web seems self-evident until it plays itself out on an actual project—and then it
is nothing short of a technological miracle!
Photo montage by John Howe (1983) of home he designed in the Wrightian style (Collection, University of Minnesota)
In his recent book, Collective Intelligence*, author Pierre Levy describes a new “knowledge space”, or cosmopedia, that will emerge as people become truly aware of the power that technology has placed in their hands. He predicts that, while still unfolding, this potential to form a collective knowledge base through shared information has the potential to transform existing structures of social influence and empowerment. With institutional and regional boundaries removed, individual participation in all forms of social, political and intellectual activities become possible. We have seen in a recent presidential election the Internet’s power to rally people to a cause and facilitate their involvement at both micro and macro levels. This is just one example of many current web-based initiatives that draw direct links between knowledge, power and influence. Interest groups, like FaceBook, Twitter and SimCity replace real-life interaction with virtual connections between people (overheard in a teenage conversation recently, “The last time I saw him was on MySpace!). Count on the power of the Internet to continue to evolve!
Compare this reality to the experience of a group of academicians and philosophers in 18th century France, who anonymously published a multi-volume work called, the Encyc
lopédia, expressing their views on matters of political and social importance. Fearing that if their identities were known, this now-famous group of intellectuals could have been sent to the Bastille, or worse—guillotined—for their bold action. Consider now, projects like Wikipedia serve as a global, self-directed and virtual compendium of knowledge accessible to all.
It has been said that the Internet was ultimately responsible for the fall of the Soviet Union, whose premium on secrecy and the control of information flowing to the population was undone by the readily-available content and unfiltered reality that the Internet-driven, global arena had to offer. This, and other more recent examples in China and Iran are proof that knowledge is power and that oppressive regimes around the world consider the Internet a major threat to their ability to rule and therefore, they continue to attempt to limit access to it.
A R T E S and its right-hand man, the Culture Vulture Blog are powerful tools for you and for me. I can put information in your hands instantaneously and you can respond in real time. It can serve as a reality check, a stimulus, an evolving intellectual organism. Every month, we shape a publication that is designed to challenge, excite and appeal to our readership. We make a point of including sources and contacts at your very fingertips, so that your search for information can continue beyond the ‘pages’ of this site. Our hope and expectation is that the reader will treat the information presented here as a first step in the search for understanding, not the final word.
Utilize thoughtful sites like A R T E S as a tool to seek and discover…and that’s the final word!
Read more about the world of art and design at http://www.artesmagazine.com/
*On Amazon, find, Collective Intelligence: Mankind’s Emerging World in Cyberspace, by Pierre Levy, Plenun Press, New York, NY ISBN 0306456354
The New Cyber Realm
by Richard Friswell
I have come to the realization that the world is not round as once believed; or flat as purported by Thomas Friedman in his recent book by the same name, describing the new seamless global economy.

The world is, in fact, concave!
It is shaped like a basin or bowl, similar to the one that might collect rainwater if left on the picnic table on a rainy day. What pools in this receptacle, gathering volume and power as the rain of information pours in, is the collective wisdom of much of humanity—and this receptacle is the Internet. The Internet is a mere 15 years old and already this egalitarian electronic tool is amassing information (most useful, some not) at a startling rate. It is said that, since its inception in 1795 the U.S. Copyright Office contains 10 Terabytes of information (10 trillion, trillion bits, or a 1 with 19 zeros after it!). The Internet, with all of its component parts is estimated to be growing at that rate per day. With entire libraries going virtual and vast warehouses of information standing by for digital conversion, the web promises to play an even more important role for amateurs and professionals, alike, who are discovering that they can track almost any slender thread of information imaginable to its source.
I discovered this for myself when I was recently asked to address a professional group on the merits and features of a second-generation Frank Lloyd Wright property that had recen
tly come on the market. I say second-generation because the principle architect for this 1983 property was John Howe, Wright’s protégé, who worked for years as his principle draftsman. Howe continued his own architectural practice and to embody the Wrightian spirit, if not elements of his style, for many years after Wright’s death in 1959. I toured the property with the current owner prior to framing out my comments and found a property that still possesses all the elements of balance, form and function that can best be described as, ‘sculptural’. The power of Wright’s design influence is in its apparent simplicity and close connection to nature---You can’t go wrong with Mother Nature as your guide!My search for information took me to the Internet and ultimately to the University of Minnesota’s architectural archives, where I found a helpful archivist (Barbara Bezat) and the entire collected works of John Howe-- including photographs of the Connecticut property-- known as the Bowen residence. The collection included memos, photographs by the architect, renderings and blueprints…the works! In a data- swap gesture aimed at keeping their records current, I sent a couple dozen digital shots of the property today (which has undergone two expansions in a manner very true to the Wrightian spirit). My modest contribution to their database helped to expand their Howe files and they, in turn, provided me with information that would have been lost to the exigencies of time and ‘progress’, had it not been for the beauty of the Internet and its search capabilities. The seek-and-find capability of the web seems self-evident until it plays itself out on an actual project—and then it
is nothing short of a technological miracle!Photo montage by John Howe (1983) of home he designed in the Wrightian style (Collection, University of Minnesota)
In his recent book, Collective Intelligence*, author Pierre Levy describes a new “knowledge space”, or cosmopedia, that will emerge as people become truly aware of the power that technology has placed in their hands. He predicts that, while still unfolding, this potential to form a collective knowledge base through shared information has the potential to transform existing structures of social influence and empowerment. With institutional and regional boundaries removed, individual participation in all forms of social, political and intellectual activities become possible. We have seen in a recent presidential election the Internet’s power to rally people to a cause and facilitate their involvement at both micro and macro levels. This is just one example of many current web-based initiatives that draw direct links between knowledge, power and influence. Interest groups, like FaceBook, Twitter and SimCity replace real-life interaction with virtual connections between people (overheard in a teenage conversation recently, “The last time I saw him was on MySpace!). Count on the power of the Internet to continue to evolve!
Compare this reality to the experience of a group of academicians and philosophers in 18th century France, who anonymously published a multi-volume work called, the Encyc
lopédia, expressing their views on matters of political and social importance. Fearing that if their identities were known, this now-famous group of intellectuals could have been sent to the Bastille, or worse—guillotined—for their bold action. Consider now, projects like Wikipedia serve as a global, self-directed and virtual compendium of knowledge accessible to all.It has been said that the Internet was ultimately responsible for the fall of the Soviet Union, whose premium on secrecy and the control of information flowing to the population was undone by the readily-available content and unfiltered reality that the Internet-driven, global arena had to offer. This, and other more recent examples in China and Iran are proof that knowledge is power and that oppressive regimes around the world consider the Internet a major threat to their ability to rule and therefore, they continue to attempt to limit access to it.
A R T E S and its right-hand man, the Culture Vulture Blog are powerful tools for you and for me. I can put information in your hands instantaneously and you can respond in real time. It can serve as a reality check, a stimulus, an evolving intellectual organism. Every month, we shape a publication that is designed to challenge, excite and appeal to our readership. We make a point of including sources and contacts at your very fingertips, so that your search for information can continue beyond the ‘pages’ of this site. Our hope and expectation is that the reader will treat the information presented here as a first step in the search for understanding, not the final word.
Utilize thoughtful sites like A R T E S as a tool to seek and discover…and that’s the final word!
Read more about the world of art and design at http://www.artesmagazine.com/
*On Amazon, find, Collective Intelligence: Mankind’s Emerging World in Cyberspace, by Pierre Levy, Plenun Press, New York, NY ISBN 0306456354
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